T. Ball, ‘For All Its Faults: conceptualising an unionised arts movement and the privilege of choice,’ Australian Tapestry Workshop, 2019.

B. Clark, ‘Artists of the World Unite,’ Kill Your Darlings, 6 December 2019.

J. Davis, ‘Nina Ross’ The language between us,’ catalogue essay, ‘The language between us,’ Perth Centre for Photography, 2014.

Experimenta Speak to Me, 5th International Biennial of Media Art Exhibition Catalogue, p 66, 2012.

A. Frost, ‘The A-Z of contemporary Art,’ episode 2 L-Z; V is for video, ABC Australia, 2012.

FILE SP 2014: Electronic Language International Festival Exhibition Catalogue, p 171-172, 2014.

T. Green, ‘I’m Trying to Talk to You,’ catalogue essay, ‘I’m Trying to Talk to You,’ The Substation, 2014.

S. Hine, ‘Untitled #1 Pregnancy,’ catalogue essay, MARS, 2016.

A. Lacroix, ‘Mouthfuls,’ catalogue essay, ‘Untitled #1 (origins of turn taking),’ Brenda May Gallery, Bus Projects, Watch this Space, 2015.

D. Larkin, ‘Playing with Words in the Most Linguistically Diverse Place in the World,’ Hyperallergic, 20 July 2017.

A. Marsh, ‘Doing Feminism: Women’s art and feminist criticism in Australia,’ The Miegunyah Press, 2021.

P. Milne, ‘Post Baby Belly,’ catalogue essay, Seventh Gallery, 2017.

J. Millner and G Coombs, ‘Care Ethics and Art,’ Routledge, 2021.

C. Needham, ‘MUM,’ catalogue essay, ‘MUM,’ Stockroom Gallery Kyneton, 2016.

R. Nelson, ‘Monumental Video Works Rule Screen Space,’ Arts, The Age Newspaper, p 38-39, 3 February 2016.

Oculus; Postgraduate Journal for the Visual Arts Research, Issue No. 4- May 2012, Australia and New Zealand.

Women’s Art Register Bulletin #68 guest editor Claudia Phares, July 2021.

H. Reich, ‘Australian Artists Reveal How They Maintain a Living Wage and Creative Practice,’ ABC News, 2019.

A. Wallin, ‘That Takes Balls, ‘catalogue essay, ‘That Takes Balls,’ Centre for Contemporary Photography, 2019.

K. Wilson, ‘Baby Gestures, ‘catalogue essay, ‘Baby Gestures,’ May Space, 2017.